I prefer selecting projects that align with my sensibilities. Honestly, all the Bollywood projects I’ve been a part of came about because the music directors reached out to me or someone like Sharu contacted me. Back when I did Race, I remember receiving their call. I believe it’s because when Bollywood requires a distinct tone, a strong female attitude, a particular vocal quality, they get in touch with me. This provides me with creative freedom, which I value greatly. When I create music, maintaining creative freedom is essential to me. I enjoy interpreting melodies, altering lyrics, and even composing my own lyrics. In all the Bollywood songs I’ve contributed to, whether it’s Vakara Swag, Husna Parcham, or any other, I’ve written my portions. This approach is somewhat uncommon in this industry, as playback singing usually involves singing pre-written lyrics. I will likely veer away from traditional playback singing. However, I’m enthusiastic about continuing to collaborate with Bollywood more and more. I’ve had the privilege of working with great talents like AR Rahman and Ajay-Atul, among others. The experience has been incredible, and I don’t intend to cease. I want to continue offering my strong female vocals whenever needed. I have a deep affection for Bollywood, so I have no problem being a part of it.