When I saw ‘Revenge’, I just loved it and it really got to me. One of the things I thought at that time was that this is the show that we need to make in India. It had everything that I felt the Indian audience would be looking for. So, at that time, I started working on the Indian adaptation of it. But we could not get the rights. But as ‘Karmma’ would have it, the rights holders and the people that I pitched to merged, and they became internal and that’s how I got the rights and we gotta make it. The main thing that appealed to me and would work for the audience too was that in India, we are used to seeing some people having a lot and way more than everyone else. Within the plot, you get a peep on what we only see in photographs but we don’t see what’s happening behind the doors, the gossip and the conjectures of them staying where they are. You do need something to retain all that and what is the difference is what intrigued me. The other thing was the show felt empowering in terms of the person who is trying to get revenge. Normally, any David in Goaliath's story always had a hard time, which is not the case with ‘Karmma Calling’. The complexities of good and bad is what would appeal to most Indians.