She did not look back, although it was a difficult time to make an impact for a woman choreographer at that time since most of the male stars preferred to work with male dance directors only. Her ascendancy was also creditable considering the fact most of the popular actors of the era—barring exceptions like Jeetendra and Rishi Kapoor—were not dancing stars. Raaj Kumar, Manoj Kumar, Dharmendra, Rajesh Khanna, Shatrughan Sinha and many other top actors of the era could barely dance. The situation, however, changed in Bollywood with dancing stars such as Mithun Chakravorty and Govinda hitting the purple patch in the eighties. For nearly a decade and a half after the mid-eighties, it was virtually a one-woman show in choreography in Bollywood with films like Darr (1993), Baazigar (1993), Mohra (1994) Dilwale Dulhania Le Jayenge (1995), Taal (1999) and Hum Dil De Chuke Sanam (1999).