Ten young men are traveling on a boat along Mumbai's coast. Their faces grim, they pray and focus on the approaching shore. As they alight, they board separate taxis taking them to various locations in the metropolis on the Arabian Sea. More than locations, however, these are targets. For the men are about to carry out the terrorist rampage that will forever be known as the 26/11 attacks. These are the opening scenes of the new film, Hotel Mumbai, from Australian director Anthony Maras, about that incident, particularly the siege from within of the Taj Mahal Palace Hotel.