The 2013 Palestinian drama Omar opens to its eponymous hero (Adam Bakri), a baker, standing beside a gigantic wall, his T-shirt fluttering in the wind. He waits for a series of cars to pass by. Because what he’s about to attempt demands secrecy and guile: scaling the West Bank barrier. As he grasps a long rope with all his might, planting one foot after the other, holding, slipping, struggling, the camera tracks back to show the extent and the essence of the wall—it’s filled with graffiti comprising a flower, a watering can, phone numbers, Arabic scribbles and, of course, the word “Free” beside a Palestinian flag. This is the wall Omar must climb every time to meet his girlfriend, Nadia (Leem Lubany), who lives on the other side of the Israeli-constructed divide. Sometimes, he slips away without notice; sometimes the security guards spot and shoot at him. A person has become a prisoner.