Advertisement
X

Sankat City

Here’s a film that could have been the cult classic of its times. But stops short.

J
okes creep up in Sankat City rather innocuously and at the drop of a hat. Like the scene where someone wonders at the presence of a woman in the cop squad that has come to defuse a bomb in a Bombay building, only to be casually told by another: “Sri Lanka ki hogi”. Or the delectably loony sight of a henchman teaching a silly Gujju verse to an amnesiac: “Main kaun chhoon, mujhe khabar nathi”. There’s a boy-loving, beer-guzzling, fish-eating guruji who wants to have “nirvastra snaan” with the meek driver of his mobster disciple. Two “chhote sardars” lost in the Muktsar mela, Harnam and Gurnam, meet as adults, one has grown up to be a sardar taxi driver, other is, believe it or not, a Hyderabadi film duplicate called Sheshaiyya. On top of all this, there are some really harebrained lines like: “This land belongs to Gogi Kukreja. Prosecuters will be trespassed”.

Sankat City is an intricately crafted caper that is driven by a surreal sense of humour, a crazy, complicated plot and a vast set of bizarre characters each connected to the other in an elaborate web. There are wheels within wheels, deals within deals. One twist leads to another turn, coincidences and confusions abound and Pankaj Advani manages to tie up each loose end rather neatly. Be it a stolen car or a missing suitcase, it changes many hands to come back a full circle.

The tone is set at the very start when the film talks of Bombay as a city where you find “dhobi ke upar gadha” and “bhagwan ke peeche shaitaan”. Here on, everything about the film is deliberately wacky. The loud, caricaturised characters and hammy, over-the-top acting, the blatant stereotypes, be it Lingam, the filmmaker’s assistant, or the Bong diva. They all live on the margins, are compromised and merrily amoral. Everything is in hyper mode to highlight the neurosis of the megapolis. Either you log into this madness or you don’t. But having relished it, I found myself strangely dissatisfied. There’s a long list of some supremely screwball moments but somehow, the sum of the absurdities is just not as engagingly madcap as each individual set-piece. To say Sankat City is good is disappointing. Here’s a film that could have been the cult classic of its times. But stops short.

High Fives

Bollywood

1. Kambakkht Ishq
2. New York
3. Short Kut
4. Sankat City
5. Morning Walk

Hollywood

1. Bruno
2. Ice Age: Dawn of Dinosaurs
3. Transformers
4. Public Enemies
5. The Proposal

Rock Album

1. Cradlesong (Rob Thomas)
2. Wilco (Wilco)
3. Killswitch Engage (Killswitch Engage)
4. Tranformers (Soundtrack)
5. Only by the Night (Kings of Leon)

Courtesy: Film Information

Show comments
US