If you didn’t know the source material of Rajat Kapoor’s play, Karamjale Brothers, before walking into it, then chances are high you’d be confused for some time while watching it, too. Because, an adaptation of Fyodor Dostoevsky’s The Brothers Karamazov, it is less Russian vodka and more desi daru. It retains the original’s story and spirit—revolving around a patriarch and his four sons; the identity of his murderer; the questions of free will, rationality, theism (Dostoevsky’s eternal preoccupation)—but, set in Delhi, it unfolds in a hilarious, quasi-farcical tone.