This was Ranveer's second screen debacle after the much-hyped Cricket World Cup 1983 drama, '83', where the actor essayed Kapil Dev, the captain of the victorious Indian team.
Then came what was to be the film that would equal, if not beat, Vivek Agnihotri's 'The Kashmir Files' because it was to appeal to the same constituency -- 'Samrat Prithviraj'. Its lead actor is the pre-Covid hit machine, Akshay Kumar, who was fresh from the middling success of 'Sooryavanshi', it was supported by the leading lights of the BJP, and its script, according to its maker Chandraprakash Dwivedi, was in the making for 18 years.
Clearly, the audiences did not relate with a ruler in the distant past, even if he had been elevated to the rank of a 'Samrat', who ended up losing to a foreign invader. In the post-Covid world, they were looking for heroes with the brawn and heft of the characters played by Ram Charan and Jr NTR in 'RRR' -- heroes who took on the mightiest empire of their time and won.
'Samrat Prithviraj', despite being made tax free in three states, has netted Rs 68 crore since its release on June 3 this year. Its budget? Rs 150 crore.
Not that YRF isn't used to its films failing, but it must be remembered that out of its filmography of 65 releases, starting with the Anil Kapoor-Sridevi-starrer 'Lamhe' (1991), 11 have been blockbusters, including the iconic 'Dilwale Dulhaniya Le Jayenge', which launched Aditya Chopra as the new hitmaker, and 'Dhoom 3', 13 have been hits or superhits, and seven semi-hits, according to Box Office India data.
Still, compared with 31 blockbusters to semi-hits, YRF has logged 34 'flops' or 'disasters'. Let us crunch the numbers a little more and focus only on the time after the passing of Yash Chopra in 2012.
Our analysis indicates 14 out of the 29 films released from 2012 onwards were in the 'disaster', 'flop' or 'below average' zones, but YRF also rolled out five blockbusters -- 'War' (released ironically on Mahatma Gandhi's 150th birth anniversary in 2019; Rs 292 crore); 'Tiger Zinda Hai' (2017; Rs 339 crore); 'Sultan' (2016; Rs 301 crore); 'Dhoom 3' (2013; 261 crore); and last, 'Ek Tha Tiger' (2012; Rs 186 crore). All the earnings cited here are net collections, not inflation adjusted, listed on the Box Office India website.
What should get YRF worried, however, is that it has not had a single hit since 'War'. Before its post-Covid disastrous run, the last half-way decent success was the Rani Mukherjee-led 'Mardaani 2', a low-budget film with a relatively known cast.
It must be making Aditya Chopra nostalgic about the banner's humongously successful run between 1993 and 2000 with 'Darr' (1993), 'Dilwale Dulhania Le Jayenge' (1995), 'Dil To Pagal Hai' (1997) and 'Mohabbatein' (2000).
Of these, of course, the unforgettable SRK-Kajol star vehicle, 'DDLJ', has made an inflation-adjusted net collection of Rs 461.33 crore, making it the fourth highest-earning Hindi film of all time after 'Hum Aapke Hain Koun', 'Baahubali 2: The Conclusion' and 'Gadar: Ek Prem Katha'.
It is said that it was SRK who revived Yash Chopra's fortunes with 'Darr' and 'DDLJ'. Will his magic work all over again for the banner with 'Pathaan'? For the answer, we'll have to wait for January 25, 2023.