Sometimes shoddy marriage of hurried sketch and pedestrian photograph. The matrioshka style of nested storylines becomes exhausting at points.
In The Barn Owl’s Wondrous Capers, Banerjee has discarded his first book’s patchy story-telling, its dependence on kitsch for charm and has expanded on Corridor’s embryonic exploration of human obsessions. Here he records whimsical and often hilarious vignettes of Calcutta’s founders and citizens across the centuries and curates their finer madnesses, from enthusiastic, organised debauchery to a love for the sound of priceless glass breaking.
Banerjee’s gift as a flaneur, a sharp-eyed, witty loafer, is seen to advantage in several wonderfully inspired panels. As in Corridor, he combines line drawing, poster art and photograph. The results aren’t as good as they could’ve been because of the sometimes shoddy marriage of hurried sketch and pedestrian photograph. The twist in the tale could have been truly inspiring but is tame. Also, the matrioshka style of nested storylines becomes exhausting at points.