The roll-call of writers is staggering - K.G. Subramanian, Pupul Jayakar, Mulk Raj Anand, Kapila Vatsyayan, B.N. Goswamy, Sankho Chaudhuri, Charles Correa, to name only a few of the Indians. Stella Kramrisch, Louis Cort, Martha Longeneker, Masatoshi Konishi, Edith Wyle, Jim Masselos, Oppi Untracht, are some of the foreign. Inevitably, a book, about a man whose life spans 50 years of India's Independence, is not just the story of Haku Shah but also encompasses the evolution of Indian contemporary craft and design. As Indian craft struggles to find an identity in this new, branded, global marketplace, many notable individuals have been part of that journey of renewal. They're divided into impresarios (Jayakar, Rajiv Sethi, Jyotindra Jain, Martand Singh) and nurturers (Kamaladevi Chattopadhyaya, Chandramouli, John Bissell). Haku, with his gentle, catalytic enthusiasm, his sensitivity to cultural origins as well as end-products, is one of the latter. Jayakar, the queen-empress of Indian craft, had an unerring eye for talented young men. She sent Haku, just one of many art college pass-outs, to one of the first weavers' service centres and later to be part of the formative years of the National Institute of Design (nid), where he's still an advisor.