It is with this kind of conviction that he focused more and more on women’s liberation, the liberation of their bodies from the feudal and semi-modern structures of patriarchy. He too believed, like Cixous and Ernaux, that it can be accomplished through women’s writings. He chose Hans, which he bought from Premchand’s son Amrit Rai in 1986, as the medium through which a campaign of this nature could be run. No wonder Hans became a platform for women’s writing, unlike any other magazine of that time. It launched many renowned women writers. It had Krishna Sobti, Mannu Bhandari and Prabha Khetan writing for it. Many senior writers, such as Usha Priyamvada, Mridula Garg, Sudha Arora, Chitra Mudgal, Maitreyi Pushpa, Madhu Kankaria, Rohini Agrawal, Geetanjali Shree, Anamika and Tasleema Nasreen, who continue to write for Hans, are established names in Hindi literature. There is a host of younger generation of women writers coming from smaller towns, like Manisha Kulshreshtha, Kavita, Neelakshi Singh, Pratyaksha, Geeta Shree, Saryu Sharma, Akanksha Pare and Yogita Yadav, to name a few, who are writing in Hans. The new editorial team continues to support women writers and does not shy away from facing the challenges of feminist writing in the era of postmodernism and postcolonialism. Many women are now writing from the Dalit and Adivasi perspectives, and intersectionality is the theoretical bridge that all of us are crossing together right now.