Edited by Nandan's first CEO Prabodh Maitra, who is now curator of the Satyajit Ray Archives, 100 Years of Cinema reflects the entire complex of questions that confront lovers of cinema the world over. What precisely are we celebrating: cinema as represented by Pasolini and Tarkovsky masterworks or movies as merchandise, which Hollywood has perfected and perpetuated over the years with assembly-line clinicality? Or is it a combination of both? Are we indeed doffing our hats to the first century of cinema? Or is this merely a farewell to films as we know them?