Mythology. Mumbai. Both of these subjects have lost their freshness since Manil Suri’s acclaimed 2001 literary debut with The Death of Vishnu, the story of an alcoholic odd-job man dying on the landing of a Bombay apartment block. Maximum city is now a weary muse, somewhat worn out after recent takes on it. And revisiting mythology is what makes for pulp fiction heaven these days, with titles inspired by it threatening to get as numerous as deities in the Hindu pantheon.