City Improbable is an honest title for a place that was once—in the depth of its own historic past—a city. Like the city, the book too remains as disjointed. Tracing a linear chronological path, it is an anthology of several unrelated ideas: records of the birth of the historic city, its culinary and artistic passions, the imposition of Lutyens’ colonial vision and the rise of the Indian bureaucracy, the city’s insular neighbourhoods after independence, and the guardians of its old and new money, among others. The collective of writers is certainly impressive—from Khushwant Singh’s own introduction of his love and loathing for Delhi, to Timur Lane’s account of his conquest, to Jan Morris’ fine essay Mrs Gupta Never Rang on the bureaucracy, ending finally in Rukmini Bhaya Nair’s poetic vision of the frustrations of modern city life. Part history, part biography, the book is largely about specific places and people that reside within the homogeneous mass called Delhi. Madhu Jain’s Sujan Singh Park, Bulbul Sharma’s Lodi Garden and Ranjana Sengupta’s Lodi Colony depict the anthropology of specific neighbourhoods and the idiosyncrasies of their residents, while Mrinal Pande’s Bitch and Renuka Narayanan’s One Long Party suggest the contrasting social rituals of the city’s labour and landed classes. Clubs, hijdas, flowersellers, defecators, kittypartygoers, ragpickers and Shopper’s Stop housewives are the central figures and features of today’s Delhi. These lie happily exposed in the writing. "The sight of men waddling off in pairs to water a wall," writes Manjula Padmanabhan in Public Relief, "is so common that I must conclude it is a feature of male bonding." Her piece draws upon her own flights of imagination to give extra weight to this simple yet socially complex public act. "I am always wildly curious to know what they talk about. Are they sharing output analyses? Personal measurements? Inflow-outflow data?" Like Padmanabhan’s, most pieces in the book paint a truly lurid portrait of the city—a city whose misshapen cartoon-like residents give it its uniquely Delhi character.