This is a three-volume autobiography revised and updated, comprising Punjabi Century (1857 to 1947), Beyond Punjab (1937 to 1960) and Return to Punjab (1961 to 1987). It is the seven-year period that Tandon has now added to the last book that has brought this engrossing saga nearer to our times. That leaves Tandon with yet another 13 years to capture for a literary work that unfolds like cinema reels, characters upon characters, events and images from the ordinary to the extraordinary, of the men, women and happenings of our times. If there is a vivid description of a Punjabi wedding ritual or the ubiquitous syaapa (mourning) at one point, there is a pointed recollection of an exchange of views with his corporate colleagues or a British boss that at once captures the mood, intent and the significance of the exchange, apart from the ability that Tandon has to paint a portrait with a minimum of strokes. If one were to quote a passage to illustrate this point, one would quote the entire book, for the passages are everywhere, teeming with characters that tell a story, in fact, ready material for more films than one.