Shamsur Rahman Faruqi’s The Mirror of Beauty is based on, but is not a direct translation of, his Urdu masterpiece Ka’i Chand the Sar-e Asman. Set in the early and mid-19th century, when the Mughal empire was at the zenith of its cultural achievements but when its political star was receding into oblivion due to the ascendancy of the East India Company, it follows the life of Wazir Khanam, a well-born woman of rare beauty. In a sense, Wazir’s uncertain life, buffeted by the strong winds of unforeseen events, is the mirror Faruqi uses to reflect the beauty and tumult of her times, of Delhi in the decades leading to the uprising of 1857.