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Set To English Music

Astill examines India not only through the lurid glare of cricket, but also the crevices in which the game’s spirit lies

As conquerors, concepts and cuisines have discovered, Indianisation is inevitable once the borders into the country are crossed. We absorb and ingest, rejig and make our own. This is both inspiring and worrying.

The social scientist Ashish Nandy once wrote that cricket was an Indian game accidentally invented in England. The IPL, by contrast, is an American sport accidentally invented in India. Nandy tells the author of this delightful book about the “rhythm and the algorithm” of the game that finds resonance in South Asia, but this is not a book about why cricket is popular. It is more ambitious in scope—it attempts to find in cricket the echoes of national character—a changing one—and explain India through its favourite sport.

James Astill, political editor of The Economist, was stationed in New Delhi for three years from 2007 and thus idea­lly placed to see the dramatic changes wro­ught by the IPL. A more important qualification is that he is a fully paid-up member of the club of cricket obsessives who are happiest when watching, discu­ssing or fantasising about the game. The book gains from the marriage between the rigour of a professional journalist and the passion of a lifelong fan.

Cricket here is not just an excuse to squeeze facts to fit prejudices. Astill lets the overall picture emerge from the history, interviews with players, officials, fans, Bollywood stars and corporate honchos. V.S. Naipaul has spoken of how he “throws hooks into a subject” and writes about whatever comes up with them. It is a technique that serves Astill well, as he tells us how cricket reflects the “feudal, corrupt and vindictive” nature of politics in the country.

Contemporary cricket, in fact modern India, was born with the opening up of the skies and satellite television. The 1982 football World Cup, shown live on Doordarshan, was a reality check for fans who worshipped local heroes, and were startled to see that world-class players seemed to be on another planet altoget­her. Attendances at local matches actua­lly dropped. Next year, when the cricket World Cup was shown, India happened to win the title, and the craze exploded. Still, it was another decade before private channels brought their techniques and cheque books to telecasting sports—Astill tells the story of the tug-of-war without condescension while being fully aware of its historical necessity. It was the first step to making the cricket board the richest in the world, and the taking over of an Eng­lish game with the same unexpectedness with which chicken tikka masala took over its cuisine.

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Cricket is not about cricket alone in India, and genuine fans are not necessarily those flocking to the IPL. As Tiger Pataudi told Astill, “There is a great passion for cricket in this country, but little knowledge.” Astill’s comments on those he speaks to are fascinating too. Lalit Modi, he says, can be “extremely rude, even by the standards of rich Indians”. From the particular to the general in a few telling words.

If society reflects cricket so faithfully, would it be possible to stretch the comparison and predict how society might behave given the path cricket has taken? In other words, is the IPL both a comment on contemporary India as well as a precursor to the India to come?

The IPL is noisy, audacious, impertinent, and is the most popular domestic tournament in the world. The Srinivasans and the Shuklas and the other self-obsessed, egotistical administrators who care nothing for either public approval or validation in the rest of the world might, suggests Astill, actually be the way the new India might itself tra­vel. “India is becoming powerful,” writes Astill. “It will be a long time before it forgets how it felt to be weak.” Is India becoming more self-absorbed, less caring and more corrupt? Perhaps it is. Just look at our cricket.

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Yet, the book ends on a positive note. After spending time in slums in the north and west of India, especially Dha­ravi, Astill writes, “Indian cricket res­ides far from the elite, the corrupt politicians, tycoons and turkey-cocking film stars who have laid claim to it. Here, in the slums and villages, what was once an English game thrills and unites millions—including those accelerating away from poverty, and many who have not yet made the break. Cri­cket is their relief, their excitement, the main ingredient of national culture that they have embraced. It belongs to them too.”

To see so much, and yet retain hope—that is the book’s strength.

(Suresh Menon is editor, Wisden India Almanack)

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