Reading Amitabha Bagchi’s third novel, set in Baltimore, one cannot help being reminded of two American paintings. The first is Edward Hopper’s House by the Railroad (1925), and the other Charles Sheeler’s American Landscape (1930). Two very different works, no doubt, but between them they capture the march of an essentially dehumanised progress and the yearning for a fast disappearing world. Progress—a slightly old-fashioned word—manifests in this book in the form of plans to demolish and rebuild a Baltimore neighbourhood where the characters have their homes. A group of friendly neighbours, in their own small ways, hope, plan and dream of stopping the juggernaut in its tracks.