Vijayan’s minimalist, graphic style marked an abrupt shift (not evolution) of Indian cartooning from the classical British narrative style practised by masters like Shankar, Kutty, and later, Laxman. Vijayan might not have had wide readership (or ‘laughtership’) like Laxman or Abu. But his limited, committed, Left-looking, if not Left-leaning, readers were special. They were never underestimated. They could disagree. Vijayan was not giving them a humorous, visual representation of the news they already knew. He was discussing with them what they might have already suspected.