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Different pockets of the city have completely different cultures. I'm a bit surprised by the paucity of fiction, because Delhi can be so full of interesting stories for people to write about.
I admire Shama Mitra Chenoy’s Shahjahanabad:A City of Delhi, 1638-1857, which is a study of life in Shahjahanabad overtwo centuries. Her thesis is that life in the Walled City was very cohesive--notlike the British made it out to be. William Dalrymple’s The Last Mughalis a fine study of life around the 1857 Mutiny, much less academic than mostother books of its kind.
I haven’t read much fiction set inDelhi, apart from Sagarika Ghose’s The Gin Drinkers and AniruddhaBahal’s Bunker 13. I’m a bit surprised by the paucity of fiction,because Delhi can be so full of interesting stories for people to write about.One problem with Delhi might be that there isn’t an identifiableethos--different pockets of the city have completely different cultures.
I wrote a book called The Life andTimes of Altu Faltu a few years ago, a take-off on Delhi society--politicalskullduggery and social alliances--where the characters were all monkeys. Buteven I have a hard time getting my hands on that book today! I’ve recentlywritten a story for older children titled The Battle for No. 19 (Puffin,2007), about a group of children trapped in a house during the anti-Sikh riotsof 1984.
Other mentions: The Millennium Bookon New Delhi, edited by B.P. Singh and Pavan Varma, which is a collection ofessays on different aspects of the city; and Delhi Between Two Empires by Narayani Gupta.
WhatI’d like to see
ADelhi that’s able to laugh at itself a bit more.
This article originally appeared in Delhi City Limits, January 2008