Twice-Told Tales

There was once a man who could sing only one song, which he sang constantly. The people around him gotrather tired of this song and chased him into the jungle, where he met his future friend, a man who had beensimilarly thrown out of his village for incessant drumming.

As a huge Feluda fan who discovered the books late in life through a Penguin translation, I was lookingforward to more from the First Family of Bengali culture. Goopy Gyne Bagha Byne was made into a film bySatyajit Ray in 1968; it was wildly successful in Bengal but apparently did not fare as well outside. Was thisbecause the stories themselves were too rooted in a time, or place, or style to be enjoyed outside Bengal? Orwas it the film that did not travel well? There are no subtitled versions of the film and even the Bengaliversion is hard to find, so only a fortunate few can answer these questions for themselves. The translationsare a step in the right direction, allowing readers to form their own opinions about the stories.

The film certainly had some non-Bengali aficionados: more than 20 years later, Salman Rushdie namedthe plentymaw fish in Haroun and the Sea of Stories after Goopy and Bagha.

Back to Goopy and Bagha in the jungle. Each heard the loud sounds of the other's 'music' in the distanceand at first was terrified but then recognized the other as a soulmate. Their friendship survived manyadventures with ghosts, guards, kings, and magical objects. Creative tricks allowed them to escape trouble,and the story ends satisfactorily with marriage to the king's daughters. In 25 pages, an imaginative plot iscombined with distinctively local references.

Ray's film made this story famous, but Upendrakishore's other stories are just as entertaining. Thetranslator, Swagata Deb, has chosen to organize them into Tales of Men, Tales of Grandmothers, Tales of Birds,Tales of Foxes, and Tales of a Cat. Many of these tales were originally part of Upendrakishore's TuntunirBoi -- the Tailor-Bird's Book -- which was first published in 1901 with illustrations by Upendrakishorehimself.

(His artistic abilities were clearly shared by other members of the family; both Sukumar Ray andSatyajit Ray were excellent artists -- above, from left, illustrations by Upendrakishore Raychaudhuri.,Sukumar Ray and Satyajit Ray respectively)

Upendrakishore's tales usually involve an inventive character who uses a combination of luck and trickeryto solve a problem. There are often enchanted objects and creatures, such as a trumpet that makes everyonedance, or a horse that can fly and predict the future. This collection includes something for everyone. Thosewho like underdog stories will enjoy the ones about Tuntuni the tailor-bird, who outwits cats and kings. Olderchildren will enjoy performing a play called Kenaram Becharam, where the poor servant Kenaram gets even withhis mean master with the help of a magical trumpet. There's the monkey prince and the clever Dukhiram and eventhe hideous Ghangosaur, a creature that is one-third beast, one-third bird, and one-third demon.

One story that begs to be read aloud is Poor Granny Licey, with a poem that builds up line byline:

Poor old Granny Licey died,
For seven days the stork cried,
All the waters turned to white,
Elephant's tail fell out of sight,
The tree all her leaves did shed,
The bird lost one eye from her head,
The cowherd's stick stuck to his hand,
The maid's sieve stuck to her headband,
The dish stuck to queen's hand so fair,
And I got stuck to this chair!

Two older English translations of Upendrakishore's stories also exist. In 1997 Thema brought out Majantali& Co., a 25-page, low-cost volume that includes three stories. It is ably translated by MadhuchhandaKarlekar and illustrated by Gautam Chattopadhyay. It includes one feature that is notably lacking in thePenguin translation -- an introduction. Just one page long, it is brief but effective in providing somebackground about the author and the stories. The Penguin edition would have been considerably enhanced by afew well-written pages about Upendrakishore and the times in which he wrote and published these stories.

An earlier collection called The Stupid Tiger was brought out in 1981 by Harper Collins. it is abargain at Rs. 50, but has its own peculiarities. The front cover prominently displays the name of WilliamRadice, the translator, and only the back cover mentions that Upendrakishore was the original author, anarrangement which may irk some readers. Perhaps this was an editorial decision that irked the translator too,as the book ends with a rather apologetic note from Radice: "The Stupid Tiger [..] is not my owncollection of Bengali folk tales; neither have I told the stories in my own words".

These are details; what of the content? The Harper Collins edition contains 20 stories, and the Penguinedition contains 18, with several overlaps. The Harper Collins version has mostly animal stories, while thePenguin edition spends more time with humans. Both translations are written in a simple, pleasant style, withmore fanciful flourishes in the Penguin version. Consider the beginning of The Sparrow and the Tiger:

One day the sparrow said, 'Wife, I wish I had some sweet cakes to eat'.
'Bring me the ingredients for sweet cakes', said his wife, 'and I'll make some.'

-The Stupid Tiger,
Radice (Harper Collins) pg 48.

Ah, wife, I want to eat some pithe', Mr Sparrow told Mrs Sparrow one day.
'I can't make pithe just like that', said Mrs Sparrow. 'I need flour, I need jaggery, I need bananas, I needmilk, and I need wood. Get me all these, and I'll make you pithe.'

-Goopy Gyne Bagha Byne,
Deb (Penguin) p 118.

This particular story demonstrates some of the complexities of a translator's task. The Radice translationfollows Upendrakishore's original plot: the sparrows eat most of the delicious pithes and lay out a few forthe tiger. The tiger complains that his pithes taste of flour, sawdust and cowdung, for no apparent reasonthat Upendrakishore or Radice can provide. In the Penguin edition, Deb was apparently dissatisfied with thislack of logic, and returned to the original Bengali folk tales from whence this story originated. In herversion, the sparrows eat all the pithes and make a few fake ones out of flour, sawdust and cowdung to foolthe tiger.

Thema's Majantali & Co. has the best illustrations for younger children. The Stupid Tigeris illustrated by William Rushton in a formal and decorative rather than illustrative style:

His drawing thataccompanies the Majantali Sarkar story is particularly appealing, but I must confess to liking the Penguinillustrations the best:

Its cover has a pen-and-ink drawing by Dipankar Bhattacharya that perfectly capturesthe ethos of Goopy and Bagha. More lovely drawings await within; they are clever and distinctive, and redolentof Upendrakishore's own charming artwork.

Upendrakishore's stories are a valuable addition to any child's bookshelf, and it is a pleasure to see themin translations that make them accessible to a wider audience.

Goopy Gyne Bagha Byne: the magical world of Upendrakishore Roychoudhury. Swagata Deb [Translator]
Penguin, 2004. 167 pages. Rs 199.

TheStupid Tiger.
William Radice.
Harper Collins, 1981. 113 pages. Rs 50.

Majantali and Co.
UpendrakisorRaychaudhuri.
Thema, 1997. 25 pages. Rs 30.

Editor's Choice: Do visit Parabaas Translation, an excellentwebzine "developed with the main aim of carrying English translations of work by major Bengaliauthors", courtesy which this review appears here.