Anand's generation of writers broke ground when they wrote in English about the peasants, villages and semi-barbarism of India with cardamom-flavoured authenticity. But if this book can be used as an example, it seems they've remained forever in that desolate landscape, neither able to grow sweeter fruit nor develop a more refined palate. In these 12 stories, it's even possible to suspect a kind of satisfaction in this parade of dashed hopes and defeated lives. After all, the author belongs to the class that can pick imlis from the family tree without fear of in-laws, whose lives are not threatened by floods and brutish policemen. To report on those who are still caught in such traps, while doing nothing, not even speculatively, to raise the bars to freedom becomes a type of gloating voyeurism.