The myriad images of Russia that remain with me still jolt, for they mostly emanate from a comprehensive breakdown of institutions, systems, culture and traditions. And this is itself the result of the sudden unbinding of a society and people subjected to decades of living under the unblinking eyes of an alert big brother. The woman bureaucrat from the Ministry of Health who, after dismissing the possibility of sourcing pharmaceutical formulations from India, suddenly switches tack and enquires whether anything would be available in the nature of stock for the 'sexshop' she plans to set up. The plush yacht casino moored on the Moskva river, its roulette table manned by a black Yank croupier with a distinct Southern accent. The waiter at the Georgian restaurant serving us who, standing at our table with a laden tray, gracefully slides all of it on the carpeted floor, the result of vodkas clandestinely imbibed through the evening. The pathos of the dozens of stunning young girls who throng the hotel lobby each evening, smiling invitingly as I walk past. The taxi driver, a stately old man with a shock of elegant white hair, who turns out to be a professor of physics in search of badly-needed extra income. Some lighter moments too, as with the caricaturist commissioned by the wife of an Indian diplomat to paint me, and as I stand self-consciously, the crowd that gathers behind the artist's easel erupts into hoots of laughter, making me wonder what he is making of my face. The result is hilarious, indeed.