I’ve been obsessed with Audrey Hepburn for as long as I can remember. It started in the greenness of youth, sauntering around the bookstore the starting year of college, in the only proper mall Bangalore had back then. I would peruse the gold-trimmed editions in the classics aisle, and (guiltily) the poppy pink covers of the chick-lit shelves, eventually gravitating to the stationery floor. The fluorescent-lit space was peppered with spiral-bound notebooks, diaries with heart-shaped locks, posters of bygone boybands. And in the deluge of journals and postcards, I would pull out anything with Audrey’s face on it. A poster with her in her dark unitard from Funny Face. A pastel daybook with a line drawing with her signature frame from Breakfast at Tiffany’s. A photo journal about her growing years by Taschen. I began to create my own Audrey section, tucked away behind a badly illustrated children’s book that had gathered a thin sheen of dust. And whenever I could, I would come back and look at them.