Road length of city roads doesn’t increase with the passage of years. The road width decreases after every year. But bunker size increases. First, a bunker comes up on a vacant space. One fine morning you walk on the road and you see a bunker. This is how bunkers come up. Then the bunker grows like a bottle gourd plant. Its growth surprises you. The first thing that emerges around a bunker is the concertina wire followed by concertina coils. It slowly eats up one side of road space. Then another bunker surfaces at some distance from the first bunker. Then a small bunker pops up between the two bunkers. And then coils of concertina wires are laid around the two big and one small bunker. And then concertina wire moves further as if on its own towards the road. This bunker then accommodates one or two vehicles of security forces.
However, road art has a different growth trajectory. Let’s talk about the murals; some of those display rural Kashmiri households, and some depict rural Kashmiris, while others highlight Kashmiri cultures like a female with a samovar and a male outside his mud house in a village. This is what comes up on city walls. Then these murals appear on the roads meant for traffic. In one such attempt early this year artists used all their skills to paint Dal Lake on Srinagar roads. At one place they even kept shikhara. That side of the road was closed for traffic. On one side there was a traffic jam. On the other hand, the government was showing people stuck in traffic jams a view of the art on the roadside. Soon people got bored with the art on the road meant for traffic. They started walking on the road. The traffic police didn’t object to anything as there was no space to walk. Then people started driving their vehicles on the road and the art altogether disappeared. No one knows what happened to Shikara.
While walking in Srinagar you also see coils of concertina wire. It is everywhere. It is over the walls of government buildings. The coils are at road interjections. The road intersections are closed by laying the coils. The road opening parties of security forces carry some coils along. There are concertina wires. They have different sizes. There are concertina coils. There are barbed wires. Razor blade gilded wires. There are so many concertina wires all around that it has acquired a place of permanency in our hearts and minds. If concertina wire is not around, you will feel you have missed something in Srinagar. If it is not laid on the road, placed over the walls, or at intersections, you will see it discarded on one corner of the road. Initially, concertina wires over the walls surrounding government buildings or security installations are tightly fitted. Soon it loses its sheen. Then after some time, it loses tight fitting as well. It is then discarded and kept on one side of the road or the building and there it remains for months together. No one touches discarded concertina wires. People just avoid it and move on as if it is not there. It is there but most people pretend it is not there. Sometimes pretence helps. It gives a sense of happiness that something is there but you can imagine that it is not there and live on.
Like every other city, Srinagar city has footpaths. They are there but they are not there. They are occupied by shopkeepers, who keep their goods on footpaths. If they are not occupied by shopkeepers, they are laid with concertina wire. The shopkeepers in Srinagar presume that they own these footpaths. They will give you a fiery look if they found you one among those who prefer to walk on the footpath. Even the road in front of their shops, they presume it is theirs. You have to walk on the road. If the footpaths are not occupied by shopkeepers, then you see repair work going on there. The repair work is perpetual. It is a continuous exercise and it doesn’t end. Nothing stops repair work on footpaths. If the footpath is good, it has to be repaired or reconstructed. This repair work satisfies the collective conscience of the government. The government ensures that footpaths should be reconstructed and reconstruction work should continue till eternity so that people shouldn’t use footpaths.
And after a slight rainfall, Srinagar roads look like an extension of the river Jhelum. The waterlogging choke roads and it becomes difficult to walk on the road. The biggest victim of waterlogging is the artwork of those artists who painted roads with the Kashmir landscape. The waterlogging throw all the dirt in the underground drains out to show people where they live but it also washes away the works of art. It doesn’t affect concertina wires, however.