This segregation and castigation have been an intrinsic part of the male-dominated Postcolonial world and its literature as well where women in Spivak’s words remained doubly colonized. Pakistani-English literature emerged as a distinctive field of postcolonial literature in the early decades after the partition though things seem astonishingly different in this case where women writers seemed to dominate Pakistani-Anglophone literature. Having predecessors like Atia Faizi and Surraya Hussain and comrades like Ismat Chughtai and Qurat ul Ain Haidar in Urdu fiction, Pakistani-Anglophone poets, novelists and fiction writers have eclipsed their male counterparts. This story of great success begins with Attia Hossain and getting strength from writers like Bapsi Sidhwa and Sara Suleri, ascending to new heights with the emergence of Kamila Shamsie as one of the most prominent faces in 21st-century world literature. Pakistani writers have explored a wide range of subjects and they have experimented with all leading genres of fiction including poetry, novels, short stories and memoirs. Though Pakistani Anglophone women writers have tried to give a voice to female subjectivity in their works, their literary canvas and range are not limited to sex and gender issues only. Pakistani women writers have very successfully tried to meddle with the issues of politics attached to the female body, partition trauma and its effects upon the collective consciousness of the nation, displacement and immigration, diasporic experience and hybridity, identity issues and marginalization, violence and wars, colonial past and postcolonial present. It requires a very detailed discussion to include all those names and their contributions in this body of amazing and versatile literature and this precise article would never be able to encompass such a gigantic task, I would like to include some of the most inspiring and influential women writers who have been very strong voices and their voices are louder and saner than any of their counterparts.