When the presiding spirit is empathy and introspection, his photographs, Bait Ur Rouf (2017), Prayer Line (2017), and Half Moon and Prayer (2017), manifest the article of faith as an act of love for the universe in reaffirming the true nobility of divine grace. The photographs not only suggest an urge to minimise the gap in the adversarial relationship between a non-believer and a faithful but also advocate the need to get this binary opposite merged imperceptibly leaving behind a transcendental immanence to linger in human consciousness. Pitted against the perils of idolatrous self-worship, these photographs underscore the aspiration for a quality of life that empowers a community. This aspiration is a search for the purity of an individual conscience, a conscience that nourishes an imperishable hope for redemption.