In his essay, Theses on the Philosophy of History, Walter Benjamin wrote: “Only that historian will have the gift of fanning the spark of hope in the past who is firmly convinced that even the dead will not be safe from the enemy if he wins. And this enemy has not ceased to be victorious.” How should a civilisation engage with its dead? In 1937, Benito Mussolini established Cinecittà Studios in Rome for producing propaganda films. The studio was bombed during WWII. When Italian filmmakers began reviving their cinema after the war, they could have easily avoided the studio that carried the nightmares of fascism. However, they chose to rebuild upon his legacy and made the Cinecittà their home. Within a few years after Mussolini’s fall, the studio produced some of the greatest movies ever. The great Italian neo-realism was born in the once cradle of fascism. The Cinecittà became the nucleus of European cinema, drawing Hollywood greats. But for such a creative dialogue with the past, a civilisation requires maturity and sanity, in short quantity in contemporary India.