Eclecticism was a guiding principle of British architecture in India, and over a century and a half, the Neo-Classical, Gothic, Palladian and Neo-Gothic styles were married, happily and unhappily, with Indian-style cupolas, verandahs, domes and kiosks. ‘Indo-Saracenic’ merely subsumed such sub-types as the ‘Hindu-Gothic’ and the ‘Renaissance-Mughal’. When tasked to lay out a new seat of government that would adequately reflect imperial grandeur, architects Edwin Lutyens and Herbert Baker had a certain history to conform to. The new edifices of New Delhi, especially in the Central Vista and around, lacked the brash confidence of buildings built in the high noon of imperialism, but followed them in their blend of East and West: the circular Parliament building was inspired by Roman styles, while the dominating central dome of Rashtrapati Bhavan evolved from a Buddhist stupa; grand Mughal Gardens rested cheek-by-jowl with English rose gardens and Connaught Place was clearly modeled on Bath, with elements of a London high street. No one would dispute that the huge complex, built—from 1911 to 1932—when the imperial purpose itself was fading, was grand.