In many of those famed ‘raja part’ roles he donned in the 1950s and later, Sivaji Ganesan would deliver kingly dialogues with theatrical fire that made his characters awe-inspiring for the audiences. On the Tamil cinema screen, it was a one-man spectacle like none else. That level of melodrama was something P. Ayyakannu and his team from the late thespian’s state employed all through their stir in Delhi this summer, even as their real-life roles were anything but royal.