Twenty years after the event, there is a dominant imagery of the demolition of the Babri shrine. Culled through photographs and long-distance video shots of frenzied karsevaks waving triumphantly from the 16th century domes, they convey vignettes of fanatics venting hate. This imagery is reinforced by writings in the English language that tell the story of despair at the assault on India’s syncretic traditions and tearful lamentations over a moment of “national shame”. Indeed, to a generation that has come of age in a glitzy, globalised, made-in-the-media India, ‘Ayodhya’ is often the casual shorthand for a dark past when menacing bigotry ruled the roost and when the “idea of India”—that mother of all cliches—came close to perishing.