“What is to be done” is a sentence I have often wondered about. In every aspect. In his What Is To Be Done? (1902), Lenin argued that fighting economic battles with employers over wages and working hours won’t make the working class political. But that’s not where I came across the sentence. I found it while reading about the Russian art collective Chto Delat (What is to be done?). Since its foundation in 2003, the collective has published an English-Russian newspaper with a special focus on the re-politicisation of Russian intellectual culture. One of their early works, ‘Builders’ (2004-05), had five artists restaging a painting. Four men and a woman, all workers, pose during their break against the distant backdrop of Viktor Popkov’s ‘Builders of Bratsk’ (1961). The idea was to retest the meaning of here and now. Sixty years later, the act of repetition made it possible to re-evaluate the meaning of labour and community in the new post-communist reality, a revelation of disappointment in the very bold promises of the arrival of democratic order in the early 1990s.