If it can ever be said of a man that, grandiloquently, as the poet did, that “He contains multitudes”, Kamalahaasan, born Parthasarathi on November 7, 1954, is that man. Modern Tamil history, with its many seamless transitions between culture, cinema and politics, is a field rich with many precedents for one like Kamal. The canvas fairly bristles with titanic figures who have stridden like colossi across the domains. But the thing with Kamalahaasan is that even his filmic personality, his acting craft, seems to revolve around a kind of many-sidedness. He is never one man on screen, as stars are often wont to be. He is often not one man even in one film. His persona is exploding with many personas, disguises, multiple roles, costumes, avatars. He is always turning into someone else. The latest character he has turned into is outside the silver screen. After being actor, producer, director, screenwriter, playback singer, lyricist and dancer, now he has launched a political party, Makkal Needhi Maiam (People’s Justice Centre) in Tamil Nadu. Such incarnations have precedents both glorious and bathetic, but whatever the result, it’s undeniable that a star has evolved into a supernova drawing all eyes in the electoral firmament.