In the high noon of euphoria over mother, motherland and Bharat mata it is apt to recall what it all means or implies in a historical perspective. In bygone colonial India people chanted 'vande mataram' for invoking blessings of the divine mother for the cause of the motherland. But since mid-1930 it excited controversies which turned more complex on Rabindranath Tagore's outright rejection of the song as one that would unite all communities in India. In his letter to Subhas Chanda Bose (1937), the great poet wrote, "The core of Vande Mataram is a hymn to goddess Durga: this is so plain that there can be no debate about it. Of course, Bankim Chandra does show Durga to be inseparably united with Bengal in the end, but no Mussulman [Muslim] can be expected patriotically to worship the ten-handed deity as "Swadesh" [the nation].......When Bengali Mussulmans show signs of stubborn fanaticism, we regard these as intolerable. When we too copy them and make unreasonable demands, it will be self-defeating."1