FOR decades, archaeologists have assumed that cave artistswho painted Europe’s Stone Age masterpieces were intelligent and communicative. Butfollowing a study of the artistic abilities of an autistic girl named Nadia born in 1967,Nicholas Humphrey of the New School for Social Research in New York is convinced that thecave painters were "not the first artists of the age of symbolism but the last of theinnocents". Humphrey found uncanny similarities between the cave paintings at twosites in France—Chauvet and Lascaux—and Nadia’s drawings. Like Nadia, thecave artists often drew animals haphazardly on top of one another, a habit, which inNadia’s case, may reflect her autism, Humphrey says. Unlike normal children, autisticchildren often find it easier to focus on details in messy scenes and see camou-flagedobjects. Humphrey thinks artistic talent flowered in both the cave artists and Nadia, notin spite of mental deficiencies, but because of them. For, when Nadia finally acquired afunctional vocabulary around the age of 12, her abilities petered out. He thinks somethingsimilar may have happened to cave artists. "The loss of naturalistic painting was theprice that had to be paid for the coming of poetry," he claims.