“Callimachus was designed to allow the possibility of using a true database application to mark up Faulkner’s 1929 novel (The Sound and the Fury) on a token (or word) level.... With this custom database and interface, we can discover when and how a concept appears in the novel. We can discover which characters dwell on what concepts and to what extent. We can discover how many words (how much narrative space) characters use when talking or thinking about specific topics. We can display relationships with charts and graphs computed with any combination of variables.... Faulkner, telling this part of the story through the mind of an idiot, normally provides only obscure clues to mark the mnemonic flashing from one event to another. The narrative does not follow the chronological sequence of events in the novel. However, using HTML and JavaScript to tag each event, we built an interface that links events in the narrative sequence with events in a chronologically correct version of the text. For the first time, readers could reorient themselves in the chronology by clicking a button, leaving behind the much more confusing original narrative. The hypertext edition helped us clarify our understanding of the novel and yielded some surprising results. We knew that the idiot narrator, named Benjy, would relive an event (such as his grandmother’s death), would trigger a sequence of flashbacks, and would often repeatedly return to that initial event. Benjy’s memory of his grandmother’s death is interrupted 17 times by other flashbacks. When we isolate this event from the interruptions, we notice that it is transmitted chronologically. Hidden in the chaos of so many relived events are small, coherent, chronological narratives.” (Vincent Neyt, Review of Stoicheff, Muri, Deshaye, et al (eds): The Sound and the Fury: A Hypertext Edition; Literary and Linguistic Computing, 2004)