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Boy! This sure sounds like a helluva fun: Quota-filling, string-pulling, backdoor entries ... a roll call of has-been and never-was writers ... long sessions on especially inventive and tortured topics ... an after-dinner session with an ominous agen

Bibliofile
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Legacy and Assertion—History and Ethnicity, Language and Culture (Politics of writing and language.... Race, ethnicity and hegemony... "Margin" to "Centre")
Articulations of the poetic medium... Orality and enscriptions
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But delegates can't say they were not warned. The inauguration was an open-and-shut case for things ahead: a long, cliche-ridden speech by ICCR's "literary" president Karan Singh (the other VIP guest, newly-inducted minister Anand Sharma, mercifully didn't rise to the occasion), followed by a kitschy lighting of lamps ceremony, but with a slight alteration (again the creative enterprise of the backroom tormentors). All the participants had to come up on stage, two by two, to a valiant commentary by Niti Ravindran. A few, more astute delegates like Tarun Tejpal and Urvashi Butalia stayed safely out of the venue till the ceremony was over.

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Then followed the articulations of the poetic medium. An African delegate recited what the organisers claimed was a poem (it had all the music of a political pamphlet). Japan's Kazuko Shiraishi rescued the day, giving a dramatic rendering of a homeless Ulysses from a ricepaper manuscript several feet long. You could see that the invitees were profoundly moved by Kazuko's poem, especially because it was in sonorous, curiously wailing Japanese.

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