So now, when Infosys, Wipro or TCS puts up a new building, it should ask itself, if what goes on inside is world class, shouldn't the outside reflect this achievement? The same responsibility devolves upon our other globally competitive companies like Bharti, Bharat Forge, Jet Airways, ICICI Bank. Come to think of it, if Sir Norman Foster could design the Hong Kong airport and Renzo Piano the Kansia airport in Osaka, why don't we have great architects design our new airports in Delhi and Mumbai? The responsibility for 'dreaming Chandigarhs' has now fallen on the business class, particularly on builders like DLF, Mittals and Rahejas.
Just before Sanjay Singal bought his acre in Lutyens' Delhi, Navin Jindal had paid Rs 165 crore to buy 3.8 acres on Mansingh Road. At these prices one can now afford to bring in a Renzo Piano, Frank Gehry, Richard Meier or even I.M. Pei. A good place to start looking for a great architect is among the 27 recipients of the annual Pritzker Prize, architecture's equivalent of the Nobel Prize, but there are many more to choose from.
It is time we took our cities seriously. They have unbelievable energy; they are crowded; but they can be beautiful. The word 'city' is related to 'civic' and 'civilisation', and the city is a place of civilisation. Some Indians have a prejudice against urban towers, which is understandable, for a typical glass and steel tower is aggressive, arrogant and black, and it is trying to say, 'I am more powerful than you'. But when someone like Renzo Piano thinks of urban towers, he thinks of San Gemignano, and a 'desire to go up, to breathe fresh air, to disappear into the sky...it is not a bad idea to go up in dense cities.'
A hundred years from now, the world will remember the first quarter of the 21st century not for 9/11 as many Americans believe, but for the rise of China and India. It is as important a moment in world history as the Renaissance and the Industrial Revolution. Kenneth Clarke reminds us: "A great historical episode can exist in our imagination almost entirely in the form of architecture. Very few of us have read the texts of early Egyptian literature. Yet we feel we know those infinitely remote people almost as well as our immediate ancestors, chiefly because of their sculpture and architecture.' So, let's return the compliment to liberalisation by putting up some great buildings and make something out of our cities that will live after us.
