Rapture (Rimdogittanga) opens to scores of villagers emerging from the cover of night, lanterns in hand bursting an opening of light that fills up the forest in frame. They are seeking a particular kind of cicadas for nourishment which, we are told, appear only once in every four years. Tojo Xavier’s camera wanders the full breadth of the area, as it does nearly throughout the film, roving from one corner to the other. There’s anticipation and eagerness in the air, the buzzing, animated sounds transmitting the eventfulness of the night, as there’s a sharp cut to a shot stuffed with the villagers’ scourings.