Outlook at Sundance | Olive Nwosu’s visually arresting character study of a sex worker chauffeur is half-undone by imprecise writing
Debanjan Dhar
About The Author
A film festival-junkie, Debanjan takes a keen interest in tracking and reporting on South Asian independent cinema.
About The Author
A film festival-junkie, Debanjan takes a keen interest in tracking and reporting on South Asian independent cinema.
Outlook at Sundance | Beth de Araújo’s daring, harrowing sophomore scours the fear that clouds an 8-year-old girl after witnessing a rape.
Outlook at Sundance | Two teenage best friends discover Shakespeare, sexuality and heartbreak in an impossibly charming instant classic
- Filipiñana Review | Manila Golf Club Unravels Colonial Violence In Rafael Manuel’s Astonishing Debut
Outlook at Sundance| Executive produced by Jia Zhangke, this tight, precisely sculpted drama traces secrets hidden in plain sight
Outlook at Sundance| A couple’s estrangement is thwarted by Russia’s invasion of Ukraine in Andrius Blaževičius’ drab, derivative World Cinema Dramatic Competition title
- Ha-chan, Shake Your Booty! Review | Rinko Kikuchi Steals Hearts In Uneven Cross-cultural Tragicomedy
Outlook at Sundance | Josef Kubota Wladyka’s U.S. Dramatic Competition entry mines heartbreak and humour in a Japanese widow dancing through bereavement
Outlook at Sundance | Maryam Ataei and Hossein Keshavarz’s Tehran-set U.S. Dramatic Competition title welds radical optimism as the way forward.
Outlook at Sundance | A father’s search for his missing teenage son leads Michal Marczak’s dangerously riveting, raw doc
Outlook at Sundance | Biljana Tutorovand Petar Glomazić’s quietly affecting documentary takes a sedately studied look at ecological tussle in the Balkan grasslands.
The director behind the Oscar-nominated The Secret Agent has always reflected on national wounds with memorialising power.
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