In Manoj, there is kinship that goes beyond those of director-actor, upstart-mentor...
"The cinema of a country is often a visitor’s first introduction to the place," write filmmaker Devashish Makhija. "I imagined South Korea to be mostly as neo-noirish, cheeky and aggressive as its best cinema."
BY Devashish Makhija 11 November 2017
Advertisement
Newsletter
Signup for Outlook and get curated content to your inbox everyday.