It used to be that the elite, exposed to ‘foreign’ lands and cultures, would bring that into our mainstream cinema, in a copycat manner, with the way heroes and heroines dressed, or with the musical trends in song and dance. Today it is not just the elite; society at every level has been affected.
The cinematographer of the iconic gangster film <em>Satya</em> remembers it two decades after its release
BY Mazhar Kamran 13 July 2018
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